sample

Patch flowchart	Description
	S&H tempo and pitch correlation. Start out with adjustung the VCO2´s range (bottom) to act as a LFO. The VCO2 is controling the sample and hold (downmiddle) ticking away on automatic. It´s output is going to VCO1 (upleft) and we are hearing random steps. Now we split the S&H output in two so we can also patch it back to the control input of the VCO2 (you may change VCO2 to a voltage controlled LFO if you´d like). Now instead of ticking steadily, the S&H will speed up and slow down. The higher the voltage of the output signal, the faster the VCO (LFO) clock will race towards it´s next tick, and the lower the voltage the slower it will move. Since the level is also controlling the oscillators pitch there will be an immediate perceptible musical effect. The higher the pitch of the oscillators note, the shorter the note. The highest notes blip by instantly, while the low ones drone on forever.

Patch flowchart

Description

S&H tempo and pitch correlation.

Start out with adjustung the VCO2´s range (bottom) to act as a LFO.

The VCO2 is controling the sample and hold (downmiddle) ticking away on automatic. It´s output is going to VCO1 (upleft) and we are hearing random steps. Now we split the S&H output in two so we can also patch it back to the control input of the VCO2 (you may change VCO2 to a voltage controlled LFO if you´d like).

Now instead of ticking steadily, the S&H will speed up and slow down. The higher the voltage of the output signal, the faster the VCO (LFO) clock will race towards it´s next tick, and the lower the voltage the slower it will move.

Since the level is also controlling the oscillators pitch there will be an immediate perceptible musical effect. The higher the pitch of the oscillators note, the shorter the note. The highest notes blip by instantly, while the low ones drone on forever.

SNWHOME