Start out with the LFO´s in a simple rhytmic relationship to one another. The fastest will produce the equivalent of sixteenth notes, the next quarter notes and the last the equivalent of half notes. Each LFO will be modulating the VCO but since there is a mixer inserted in the controlline (working as an attenuator) it will not necessarily be in the same amount.

The oscillator will now be sounding one of eight different pitches, so the three together will produce eight different three-voice-chords. The interesting aspect is that the the three-voice-chord will follow one another not in any regular sequence but in a complex swirling pattern, in which the the various pulses of the square wave seems to fade in and out of one another in an intuitively pleasing way.